![]() ![]() “Kathryn is often not only the best person for the part, but also the best person on the set. When I reach Paul Rudd, who has worked with Hahn six times, he says that if she were a band, she’d be like Radiohead-an indie group with a small, passionate following that worked steadily for decades before, all at once, everyone was listening. I constantly feel privileged.”ĭon’t be fooled, however: Hahn has definitely made her own luck. I love actors so much, and I’m always in awe of performers. People talk about chemistry…but I don’t think that I’ve ever not had chemistry, really, with anybody. And I could say the same about that beautiful human,” she says. Hearing these words, Hahn crinkles her nose. To explore female tropes through “these big genre swings” (and to end up a sorceress, no less) was exhilarating, she says. Whenever possible in her work, Hahn has tried to illuminate the parts of being female-infertility, say, or a single mom’s sexual reawakening when she becomes an empty nester-that typically get short shrift from Hollywood studios. Magical too was the fact that the show explored not just a “Salieri-Mozart” relationship between two women, Hahn says, but mid-20th-century feminine archetypes in general ( WandaVision spoofed The Dick Van Dyke Show, Bewitched, and The Brady Bunch, among others). Like: I can’t believe how magical this is.” Lizzie would be up on the wires in that full-on costume and I was just like: goosebumps. I felt like her mentor, her mother, her sister, her best friend, her frenemy. Instead of being “just antagonist-protagonist,” it was “in the gray, which I always love. An absolute ball.” Agatha’s relationship with Wanda was complicated, she says, in all the best ways. “The part I was lucky enough to play…was just a ball. “I am tickled by it,” she says when I ask how that feels. But for a while there, she was doing so much press, and the resounding drumbeat was so loud, that the adulation couldn’t help but reach her. She still uses a Filofax and only recently bought her very first laptop so that she could write and engage with the world without borrowing her kids’ devices. She has no Facebook or Twitter accounts, and prefers to read things on paper, not online. Others yearned for Aaron Sorkin to have Hahn (not Nicole Kidman) play Lucille Ball in his upcoming biopic, Being the Ricardos.Ī self-described technophobe, Hahn didn’t see any of this. ![]() Some called for Hahn to host Saturday Night Live. Giddy Hahn lovers imagined how great it would be if she teamed up on a sitcom with Julia Louis-Dreyfus, say, or did a buddy movie with Laura Dern or Catherine O’Hara. Still, as WandaVision’s anthem “Agatha All Along” rocketed up the charts, Hahn’s reputation grew on social media. At one point, the TV producer and writer Rachel Shukert encapsulated the chatter, tweeting: “Wasn’t Kathryn Hahn…already very famous?” Many pointed out that after countless zany-best-friend and second-fiddle roles, Hahn had received a 2017 Emmy nomination for depicting a rabbi in Amazon Studio’s Transparent. Immediately, a debate raged between people who were first discovering Hahn and fans who’d long ago deemed her an icon. And of course, Wanda’s nemesis was female too: Agnes, a classic “nosy neighbor” who turns out to be Agatha Harkness, the witch played deliciously by Hahn. Unwittingly, it seemed, Wanda was using her superpowers in the service of her own deep emotions (in particular, her grief) by re-creating Vision inside a New Jersey town that she’d also turned into her own TV show. And yet, while the show was ostensibly built around the couple’s story, it was deeply female-focused. Styled by Deb Afshani.Įarly in WandaVision ’s run, viewers learned that its sitcom-inspired pseudo-reality was constructed by superhero Wanda Maximoff (Elizabeth Olsen) to bring her synthezoid soul mate Vision (Paul Bettany) back from the dead. ![]()
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